“Nicola is an excellent facilitator. I was lucky enough to attend a workshop with her at the Tasmanian Poetry Festival in 2018. She provided awesome prompts and was a great space holder, inviting her participants to explore personal themes deeply. I even produced poems that have landed in my debut full length collection and one of these pieces was included in Hunter Writers Centre ‘Grieve’ anthology. Nicola is relatable, approachable, personable and generous.” – Ela Fornalska, teacher, poet and performer, Melbourne.
“I recently read Nicola’s book and it is just beautiful. Do seek it out. She brings so much of her complex experiences as an activist and a secondary school teacher into her work – it is rich in entangled, community-facing life” – Helen Lehndorf, a beautiful poet-artivist-gardener-Mama (and more!) from Palmerston North, Manawatū.
another perfect Manhire
I moved to Whangamata in the winter of 1996, when this new-to-me Bill Manhire poem was published. It makes me pine a bit for the time when I would cycle the 20kms up to Opoutere, walk around the flats at low tide and swim, or visit Rosemary, who was a DoC volunteer, reminding visitors and their dogs to stay away from the dotterel cordons – let the little wisps whistle up and nest. Wow, we had some good kayaking adventures too. Then I’d cycle home, at my fittest. 😍
Feeding station
A poem published in Poetry New Zealand Yearbook (2022) that should have been in my chapbook but I completely forgot about it! D’oh. If anyone can remind me of the name of this form where the last word of the second and third lines contains a variation on that of the first line, please get in touch! (I think it’s more of a modern than traditional idea?).

Feeding station
After a time, the gathering birds of various kinds elide
their vowels completely. This morning, the tūī lied
when it sang chloris chloris and then conk-la-ree – I’d
not be surprised to see the white wattle vibe with the clack
of westerly worried flax on the cold eroding dune. There is no lack
of wind-fallen, knife-pared fruit for the waxeye’s rump up apple ac-
robatics. Greenfinch, blackbird, dunnock, thrush come ravenous
through July while I feast and strain to stay fit, softly venous
in the mirror with my free weights and yogic nous -
O, sinuous memories of summer grass and berry tongue,
grazing friends toasting in the sun like even-toed ung-
ulates in bare hoof and hemp feather hair. Raise your glass to ngā
uruora, the groves of life. Usher the Symbiocene in its nascent
stages: seeds and suet set in a lemon cup for the ascent
of bird. Gardeners of the ‘burbs – feed this crowning scent.
My (not-so) new chapbook!

Published by Walleah Press, Tasmania (2025)
“A stoic recovery of disordered seasons speaks of quietude and contemplation, both within stillness and in movement. This is a beautifully generous bunch of poems that makes time for meditative close-ups, for remembering and seeing. Nicola has such an enviable control on the page. She is a poet of place as much as memory. Her eye and her ear are as finely attuned as it’s possible for a poet’s to be.”
- Hinemoana Baker (author of mātuhi needle, kōiwi kōiwi bone bone, waha mouth, and funkhaus).
“…such a deft, delicate touch that’s also sensual while packing a punch here and there. I felt as if I was experiencing synesthesia – smelling and tasting visual metaphors etc. An encompassing experience.”
- Serie Barford (author of Plea to the Spanish Lady (Hard Echo Press, 1985), Glass Canisters (Hard Echo Press, 1989), Tapa Talk (Huia, 2007), Entangled Islands (Anahera Press, 2015), Sleeping with Stones (Anahera Press, 2021) and Standing on my Shadow (Anahera Press, 2025).
Please email me for a copy: nicolaeasthopeful@gmail.com – $25 including shipping within Aotearoa. For overseas orders, please purchase direct from Walleah Press.
Bookmark Kāpiti: 9-10 August 2025!

An exciting new lit event that “celebrates the people, stories and places of Kāpiti. The festival aims to showcase our rich creative diversity and includes stories and writing for all kinds of readers, writers and storytellers.”
I’ll be away celebrating Al’s 55th b’day that weekend but encourage you to get along!
Here’s the amazing looking programme.
Ngā mihinui ki a Kirsten, Cerid and Keryn for organising this!
Some poems just
Shot Glass Journal #45

Two of my short poems were published in January this year – first time in Shot Glass Journal for me. Great to see Muse Pie Press is on BlueSky now @musepiepress.bsky.social . I left the Metaverse and am occasionally to be found micro-ranting @neasthope.bsky.social xx
‘Kāpiti Poets’ interview with Ingrid Prosser: Ep. 11, on Coast Access Radio
I recently had the pleasure of speaking with local published and performance poet, Ingrid Prosser, for her Kāpiti Poets podcast series.
Here’s our half-hour chat (includes readings of 3 poems)
And here’s a link to the whole series – some seriously interesting and talented locals on this stretch of land and sea!
The Monica Taylor Poetry Prize, 2024 – takahē

Last month, I was stoked to be longlisted for The Monica Taylor Poetry Prize, judged by multitalented writer and pediatrician, Renee Liang 梁文蔚. Here’s the fantastic winning poem and Renee’s report: https://www.takahe.org.nz/the-old-man-and-the-tree/
Some friends have asked to read my poem, so here it is. I’m still not happy with the ending – think it’s probably overdone and needs undoing or reworking as a question rather than a statement. Endings are often where my poems lose their energy!
This poem was not written by AI
I remember the thundering, the air filled
with a gathering pace—hooves, tussock, volcanic dust.
The mountains cloaked for a moment as the plateau shuddered
with the muscle of horses. Streaks of colour like the flanks of the Desert Road:
chestnut, dark brown, dun, bay, strawberry roan. Out of this herd sentience, a stallion
slowed and reared (of course he reared),
screamed. I remember the girl
in love with her mind, her pencils of graphite and pigment,
her pack of twelve for colouring in, baking paper cellotaped to the window.
A wildness formed as she traced him neat from a torn up magazine.
And she knew her horses—the points and shades of them, their gaits
and ailments, how to ride. Though there was no money for her own,
she had her lessons, she had her poem. Mustang. She tamed it real
and rode it bareback into class. With the force of horses in her trembling
body, she gave it to her teacher. A week later, it was returned—Original?
in red. There was no way to prove it and nothing more to be said.
Take away I remember and that’s about as close
as I can get. There was the tearing to pieces,
the stuffing in the bin. My child, faceful
of thunder—tell your teacher—
saddle up, we know where this is leading.
The Friday Poem
I am very grateful to Poet Laureate Chris Tse for publishing a new poem on The Spinoff last Friday. ‘Some boys’ was inspired by rereading my teen diaries and as I explained to my daughter and partner, not all the boys applied to me (but guess which one/s did, haha!). “Very good”, said Savannah.
https://thespinoff.co.nz/books/21-06-2024/the-friday-poem-some-boys-by-nicola-easthope

